Abstract:Building on Erich Przywara’s reception of Augustine in the previous chapter, this chapter explicates Przywara’s own use of rhythm in arguing for the doctrine of the analogy of being. Przywara uses rhythm to describe a doctrine of analogy that is not observed at a remove but glimpsed through movements in which the human creature is always already embedded. After parsing out the intersections between these various movements, the chapter argues that Przywara’s use of rhythm includes both synchronic and diachronic… Show more
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