2014
DOI: 10.7227/alx.0021
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Hard Content, Fab Front-End: Archiving Websites of Dutch Public Broadcasters

Abstract: Although there are a great variety of web archiving projects around the world, there are not many that focus explicitly on websites of broadcasters. The reason is that funds are often lacking to do this, and that broadcaster websites are difficult to archive, due to their dynamic and audiovisual content. The Netherlands Institute for Sound and Vision, with its collection of over 800,000 hours of audiovisual content has been involved in a small-scale research project related to web archiving since 2008. When So… Show more

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Cited by 2 publications
(2 citation statements)
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“…Television Studies in the Netherlands has become part of Digital Humanities, which increasingly requires knowledge of archival practices and archival theories (De Leeuw, 2018). To meet the challenge of connectivity at different levels, Dutch audio-visual archives are encouraged to archive more contextual materials alongside broadcast content; written documents, the websites of Dutch public broadcasters and electronic materials help to contextualise Dutch television production cultures, conditions and craftsmanship (Hagedoorn and Agterberg, 2016), even though archiving such dynamic texts is extremely challenging (Baltussen et al, 2014). This does not mean that it is not still worthwhile to consider what constitutes the medium of 'television' in these current research strands and to ask oneself what 'Dutch' television and Dutch Television Studies is.…”
Section: Television As Audio-visual Heritage (Digitised and Born-digital)mentioning
confidence: 99%
“…Television Studies in the Netherlands has become part of Digital Humanities, which increasingly requires knowledge of archival practices and archival theories (De Leeuw, 2018). To meet the challenge of connectivity at different levels, Dutch audio-visual archives are encouraged to archive more contextual materials alongside broadcast content; written documents, the websites of Dutch public broadcasters and electronic materials help to contextualise Dutch television production cultures, conditions and craftsmanship (Hagedoorn and Agterberg, 2016), even though archiving such dynamic texts is extremely challenging (Baltussen et al, 2014). This does not mean that it is not still worthwhile to consider what constitutes the medium of 'television' in these current research strands and to ask oneself what 'Dutch' television and Dutch Television Studies is.…”
Section: Television As Audio-visual Heritage (Digitised and Born-digital)mentioning
confidence: 99%
“…This includes, for example, the development of metrics for archivability and methods to capture dynamic Javascript content (Banos & Manolopoulos, 2016;Brunelle et al, 2016;Kelly et al, 2013). There have also been developments to automate discovery of new content for genres like blogs or websites of public broadcasters (Baltussen et al, 2014;Kasioumis et al, 2013). This work focuses on developing solutions to create better, more complete, or more timely web archives; it remains a major challenge for archives to keep up with the changing technologies of the web.…”
Section: From Optimizing Collections To An Agenda For Supporting Schomentioning
confidence: 99%