Haptic interaction for creative processes with simulated media

Baxter, William; Foskey, Mark; Otaduy, Miguel Á.; Scheib, Vincent

doi:10.1109/robot.2002.1013424

Cited by 9 publications

(7 citation statements)

References 11 publications

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“…ArtNova system [2,3] used a user-centric viewing technique that integrated haptic and visual presentation by taking into account the user's haptic manipulation in the dynamic determination of the new viewpoint locations. However, a 3D brush model was not constructed in their method that has a negative impact on the reality of the interactive painting.…”

Section: Related Workmentioning

confidence: 99%

Haptic Decorating on the Surface of Virtual Clay Model

Huang¹,

Zeng-xuan²,

Guo³

et al. 2018

Mathematical Problems in Engineering

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A novel haptic decorating method on the surface of virtual clay model is proposed. The relationship between brush deformation and endured force is researched for the first time by applying the spring-mass model to construct the 3D brush model. Then, the collision detection between virtual hairy brush and virtual clay model is researched based on collision algorithm of weighted average distance. When the hairy brush initially collides with 3D exterior, the tactility is simulated and the interactive virtual painting on the 3D exterior is carried out practically. The 3D brush stroke is formed by superimposing 3D brush footprints along the painting direction and controlling the stress of the brush. The ink quantity in the brush footprint is determined according to the proposed positive correlation between the exerted pressure on brush and outflow ink quantity of the brush. A painting storage method is also presented for storing and displaying 3D stroke painting results. The proposed method has been successfully applied in the 3D virtual painting system based on real-time force feedback technology. With this system, the 3D brush strokes with 3D half-dry and ink diffusion results can be painted with a Phantom Desktop haptic device, which effectively enhance reality to users.

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Section: Related Workmentioning

confidence: 99%

Haptic Decorating on the Surface of Virtual Clay Model

Huang¹,

Zeng-xuan²,

Guo³

et al. 2018

Mathematical Problems in Engineering

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“…The other popular approach relating to haptics in art-related interfaces involves providing haptic feedback that does not resemble any specific real world tactile experience to the users (Guerraz et al, 2003;Lin et al, 2002;Snibbe et al, 1998). Such haptic sensations correspond to Masden's proposal (Masden, 2000) that system designers should try to exploit the power of the technology and provide opportunities not available in the real world.…”

Section: Haptic Sensation In Design Interfacementioning

confidence: 99%

“…Such haptic sensations correspond to Masden's proposal (Masden, 2000) that system designers should try to exploit the power of the technology and provide opportunities not available in the real world. Dynasculpt (Snibbe et al, 1998), Texture Touch (Guerraz et al, 2003) and ArtNova ; Lin et al, (2002) are examples of systems that support creative artwork and that take innovative approaches to presenting underlying haptic information. In most cases (Guerraz et al, 2003;Lin et al, 2002), textual descriptors are provided on the interface to manipulate the haptic parameters of the system.…”

Section: Haptic Sensation In Design Interfacementioning

confidence: 99%

“…Dynasculpt (Snibbe et al, 1998), Texture Touch (Guerraz et al, 2003) and ArtNova ; Lin et al, (2002) are examples of systems that support creative artwork and that take innovative approaches to presenting underlying haptic information. In most cases (Guerraz et al, 2003;Lin et al, 2002), textual descriptors are provided on the interface to manipulate the haptic parameters of the system. Various buttons and slider bars are used for manipulating the visual image of a virtual object and its haptic properties, and the user can change some physical parameters of the haptic device in use.…”

Section: Haptic Sensation In Design Interfacementioning

confidence: 99%

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Haptic experience and the design of drawing interfaces

Blandford

Cairns

2010

Interacting with Computers

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Haptic feedback has the potential to enhance users' sense of being engaged and creative in their artwork. Current work on providing haptic feedback in computer-based drawing applications has focused mainly on the realism of the haptic sensation rather than the users' experience of that sensation in the context of their creative work. We present a study that focuses on user experience of three haptic drawing interfaces. These interfaces were based on two different haptic metaphors, one of which mimicked familiar drawing tools (such as pen, pencil or crayon on smooth or rough paper) and the other of which drew on abstract descriptors of haptic experience (roughness, stickiness, scratchiness and smoothness). It was found that users valued having control over the haptic sensation; that each metaphor was preferred by approximately half of the participants; and that the real-world metaphor interface was considered more helpful than the abstract one, whereas the abstract interface was considered to better support creativity. This suggests that future interfaces for artistic work should have user-modifiable interaction styles for controlling the haptic sensation.

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“…In methods based on massspring-damper models, an elastic object is constructed by applying a mass at each point of a mesh and using springs to link the points as edges and diagonals [4][5][6]. Elastic forces and damping forces act on mass points as internal forces, and gravity and other possible forces act on them as external forces.…”

Section: Introductionmentioning

confidence: 99%

Simulation of a mass-spring model for global deformation

Cui

Song

2008

Front. Electr. Electron. Eng. China

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This article addresses a largely open problem in haptic simulation and rendering: contact force and deformation modeling for haptic simulation of a discrete globe mass-spring model, especially for global deformation. The mass-spring system is composed of nodes connected with radially distributed springs. We tackle the problem using the theory of virtual work, and relations between the virtual force and nodal displacements are analyzed to obtain elastic deformations. The global deformation is controlled by the total nodal deformations based on a force equation at each node. The simulation results verify the efficiency of the contact force and deformation model with reasonable realism.

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Haptic interaction for creative processes with simulated media

Cited by 9 publications

References 11 publications

Haptic Decorating on the Surface of Virtual Clay Model

Haptic Decorating on the Surface of Virtual Clay Model

Haptic experience and the design of drawing interfaces

Simulation of a mass-spring model for global deformation

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