Handbuch Lyrik. Theorie, Analyse, Geschichte by Dieter Lamping

Eldridge, Hannah Vandegrift

doi:10.1353/mon.2013.0048

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“…"The production of first-person speakers has been central to the lyric tradition […]." 197 Moreover, despite the music of diction being a distinctivethough not a compulsoryfeature of lyric, 198 the specificities and thus the possibilities of such music as conceived by verse lines are ruled out in Ulysses, the latter being a 'prose epic.' However, T. S. Eliot's illuminating remark made in his essay entitled "Prose and Verse" may provide the first thread with the help of which we may orient ourselves in this complexity of seeming paradoxes: "I have heard Mr. James Joyce's Ulysses condemned on the ground that it is 'poetry' and therefore should have been written in verse; whereas it seems to me to be the most vital development of prose that has taken place in this generation."…”

Section: Epical Prose With Lyrical Charactermentioning

confidence: 99%

The Fabric of Textual Relations in James Joyce’s Ulysses

Véry¹

2018

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Literature, as a written artefact, then, is singled out by its eminence. As Gadamer puts it, it is the particular mode of manifestation, or rather, self-manifestation which makes one consider texts of literature as distinct from other, non-artistic texts.[Literature] is text in an essential and demanding sense, namely, a text which does not refer back to a speech, be it thought or voiced, as its fixation, but is untied from its origin, claiming its own validity, as the ultimate authority on its own account for the reader and interpreter. 12 In this sense, it comes to light in its significance that "the artistic or literary work seals its own unity, that is to say, it establishes its own autonomy." 13 Texts, as works of literature, creating a different status of writing than it is customary in everyday use, articulate themselves as pieces of opaque writing, i.e. ones that necessitate the conscious effort of interpretation As Gadamer makes it explicit from this perspective,[t]he concept of the text is hermeneutic in itself. […] It is in this respect that the most extensive concept of the 'text' is related to 'understanding' and is disposed to 'interpretation'. But a text which is a literary artefact, seems to me a text in an eminent sense. It is not only disposed to, but necessitates interpretation. 14 As such does the text become a fundamental hermeneutical concept. "It articulates the authoritative potentiality [Gegebenheit], to which understanding and interpretation have to measure themselvesit is the hermeneutical point of identity, which keeps every variable within bounds." 15 The eminence of the work of literature, as text, exhibits itself in its laying 12 "Sie ist in einem wesentlichen und anspruchsvollen Sinne Text, nämlich ein solcher Text, der nicht als Fixierung einer gedachten oder gesprochenen Rede auf diese zurückweist, sondern, von seiner Herkunft abgelöst, eine eigene Geltung beansprucht, die ihrerseits für den Leser und Interpreten eine letzte Instanz ist." Gadamer, "Der 'eminente' Text und seine Wahrheit," p. 286.13 "[D]as Werk der Literatur oder Kunst sich durch sich selbst zur Einheit schließt, sich sozusagen autonom konstituiert." Gadamer, "Philosophie und Literatur," p. 254. 14 "Der Begriff des Textes ist selber ein hermeneutischer. […] Insofern ist auch im weitesten Begriff 'Text' auf 'Verstehen' bezogen und ist der 'Auslegung' fähig. Aber ein Text, der ein literarisches Kunstwerk ist, scheint mir ein Text im eminenten Sinne. Es ist der Auslegung nicht nur fähig, sondern bedürftig." Gadamer, "Philosophie und Literatur," p. 248. [italics mine -D. V.] 15 "Er formuliert die autoritative Gegebenheit, an sich Verstehen und Auslegen zu messen hatgleichsam als der hermeneutische Identitätspunkt, der alles Variable begrenzt." Gadamer, "Der 'eminente' Text und seine Wahrheit," p. 289.

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Section: Epical Prose With Lyrical Charactermentioning

confidence: 99%

The Fabric of Textual Relations in James Joyce’s Ulysses

Véry¹

2018

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Handbuch Lyrik. Theorie, Analyse, Geschichte by Dieter Lamping

Cited by 1 publication

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The Fabric of Textual Relations in James Joyce’s Ulysses

The Fabric of Textual Relations in James Joyce’s Ulysses

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