Handbook of Cultural Economics, Third Edition

Towse, Ruth; Hernández, Trilce Navarrete

doi:10.4337/9781788975803

Cited by 14 publications

(5 citation statements)

References 1 publication

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“…According to different authors, the methods of economic valuation have been classified into three categories: direct valuation, indirect valuation, and contingent valuation. The third is what is addressed here (Dixon and Hufschmidt, 1986;James, 1994;Haab and McConnell, 2002;Segerson, 2017;Streimikiene et al, 2019;Cuccia, 2020).…”

Section: Conceptual Frameworkmentioning

confidence: 81%

“…The contingent valuation method is one of the standard approaches for valuing non-traded resources in the market, such as the quality of the environment, with high utilization in analyses of public policies (Lee and Heo, 2016;Cuccia, 2020). It seeks to measure in monetary units changes in the level of people's well-being due to an increase or decrease in the quality or amount of a good or service.…”

Section: Conceptual Frameworkmentioning

confidence: 99%

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Society’s Willingness to Pay for Certified Dry Firewood Energy in Chile

et al. 2021

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Introduction: Air pollution is present in most cities in Chile due to smoke produced from firewood, as happened in many developing countries, generating various health problems among the population. This situation is especially prevalent in all cities in central and southern Chile. To mitigate it, the government implemented several measures, among which are the promotion of the use of certified dry firewood and hourly restrictions on the use of wood-burning stoves for heating according to the peak emissions of particulate matter.Objective: The objective of this study was to determine the willingness to pay for certified dry firewood as a means of reducing environmental restrictions on the use of wood-burning stoves to heat households.Materials and methods: The study used a non-market valuation, specifically contingent valuation, method using a double-bounded dichotomous choice format with the estimation of biprobit econometric models.Results: The results showed that the average individual was willing to pay 12 USD, and extrapolating that to the local population’s willingness to pay yielded an economic value of 3,415,140 USD, which to a certain extent represents the valuation of air pollution damage.Conclusion: Our results showed that people positively valued the use of dry firewood as a payment vehicle to improve air quality and thereby reduce restrictions on the use of certified dry firewood for heating. Therefore, complementary environmental policy measures should be continued to address the problem of air pollution in both the short and long term.

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Section: Conceptual Frameworkmentioning

confidence: 81%

Section: Conceptual Frameworkmentioning

confidence: 99%

Society’s Willingness to Pay for Certified Dry Firewood Energy in Chile

et al. 2021

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“…The creative economy itself has characteristics that emphasize innovation and creativity in providing products and services as a result. Based on City, Culture, and society (Towse, 2020)) there are some of the characteristics of the creative economy that can be defined as having the main elements in the form of creativity, expertise, and talents that have the potential to increase welfare through offering intellectual creations; consists of providing creative products directly to customers and supporting creative value creation in other sectors that are not directly related to customers; short life cycle, high margin, high 91 diversity, high competition and easy to imitate; collaboration is needed between various actors who play a role in the creative industry, namely intellectuals (intellectuals), the business world, and the government, which is a fundamental prerequisite; based on an idea or ideas; unlimited development in various business fields; and the concept is relative Based on its characteristics, the creative economy emphasizes economic development through the creativity of the actors in utilizing the resources they already have to provide products in the form of goods or services. The industry, which departs from the concept of the creative economy, is also an innovation where it requires the support and cooperation of all parties involved in the economic process.…”

Section: Innovation and Creative Economymentioning

confidence: 99%

Cultural Innovation in Indonesia as a Development of the Creative Economy

Firmansyah,

Rafdinal,

Sayuti

et al. 2024

jebe

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Culture is a part of life that regulates the norms and habits of society. Culture takes two forms: material culture and non-material culture. Through the Creative Economy Agency, the creative economy has been promoted as one of the new pillars of the Indonesian economy. This study aims to analyze the culture-based creative industry as an option for advancing the creative economy in Indonesia. This study applies the theory of economic development by Joseph Alois Schumpeter to emphasize the creativity of entrepreneurs in using existing production factors to support economic activity. Data was collected from secondary data related to the cultural and creative economy. The results show that the creative industry in Indonesia has emerged as the answer to the creative economy system and has also shown rapid development. Practically, in Indonesia, abundant opportunities exist for a culture-based creative economy, spanning various sectors such as arts and tourism, awaiting innovation by industry actors. Government facilitation and increasing engagement from individuals further support this burgeoning creative landscape, aligning with the Ministry of Tourism and Creative Economy/Tourism and Creative Economy Agency’s mission to bolster Indonesia's economy by 2030 through successful synergy between government and industry

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“…Digital technology refers to the use of electronic devices, software, and networks to create, process, store, and share information [20], [21]. It has had a significant impact on the field of arts and culture, as demonstrated by various research studies [22]. The influence of digital technology on the field of arts and culture is significant and diverse.…”

Section: Literature Reviewmentioning

confidence: 99%

Bibliometric Study on the Influence of Digital Technology in the Field of Arts and Culture

Mardiani,

Rukmana,

Maqfirah

et al. 2024

ESSSH

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This bibliometric study delves into the impact of digital technology on the field of arts and culture through a systematic examination of scholarly literature. By employing bibliometric methodologies, the research identifies key themes, trends, and gaps in existing research, shedding light on the multifaceted influence of digital innovation in artistic creation, distribution, preservation, education, and industry dynamics. Through data collection, extraction, and analysis, the study reveals evolving research patterns over time and offers insights into potential avenues for future inquiry. The findings contribute to a deeper understanding of the dynamic relationship between technology and cultural expression, informing decision-making and inspiring innovative practices in the digital age.

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Handbook of Cultural Economics, Third Edition

Cited by 14 publications

References 1 publication

Society’s Willingness to Pay for Certified Dry Firewood Energy in Chile

Society’s Willingness to Pay for Certified Dry Firewood Energy in Chile

Cultural Innovation in Indonesia as a Development of the Creative Economy

Bibliometric Study on the Influence of Digital Technology in the Field of Arts and Culture

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