After a major flood in Jakarta in 2007, the government of Indonesia partnered with a consortium of Dutch engineers and designers to produce a solution. In 2013, this consortium proposed a plan for the Great Garuda, a megaproject that combined a deep seawall and private real estate, both in an archipelago of reclaimed islands that would be shaped like the mythical garuda eagle, Indonesia's national symbol. Despite a range of infeasibilities and opposition, the Great Garuda became the most prominent vision for the city's future. This article argues that the promotion of the Great Garuda was a process of 'hyper-planning', which projected the city as a national triumph and a global spectacle. The plan served the political objective of creating the mere possibility of a 'new Jakarta' apart from the perceived chaos of the current capital. Further, the plan functioned as a performative object through its iconic imagery and its circulations. The process of hyper-planning simultaneously projected a future of urban success, but also displaced the contingencies of the future to the private sector, beyond the purview of the state. the water, its wings stretching across the breadth of the bay and its head protruding into the sea. Finally, the seawall would be constructed by private real estate developers, and the real estate sales, it was planned, would pay for the seawall infrastructure.