Gothic Genealogies: Dracula, Bowen's Court, And Anglo-Irish Psychology

Ingelbien, Raphaël

doi:10.1353/elh.2004.0005

Cited by 8 publications

(2 citation statements)

References 5 publications

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“…Si bien es cierto que no todos los escritores irlandeses hicieron uso de Irlanda como espacio gótico principal, algunos escritores hicieron uso parcial de este lugar en sus trabajos, como es el caso de Sophia Berkley, mientras que otros no lo hicieron, pero ciertos aspectos irlandeses son discernibles, como en Uncle Silas (Tío Silas) (1864) de Le Fanu, (Ingelbien, 2003(Ingelbien, : 1089.…”

Section: La Atracción De Los Escritores Anglo-irlandeses Hacia La Ficunclassified

Análisis de las características literarias en la novela gótica irlandesa (1760-1897). Una aproximación = Analysis of literary features in the Irish Gothic novel (1760-1897). An approach

Felices¹,

García²

2016

Signa: Revista De La Asociación Española De Semiótica

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Resumen: Dentro del espacio irlandés, veremos cómo la sociedad anglicana, atrapada entre elementos nativos irlandeses y la sociedad inglesa, influenció el desarrollo del gótico irlandés. Cuestiones importantes como la paranoia, el temor al Otro y la protección del Yo emergieron bajo una nueva empresa. El paisaje irlandés, el folclore irlandés o las luchas entre protestantes y católicos son elementos que podemos localizar dentro del gótico irlandés. Junto con esto, este estudio se ocupará de aspectos importantes como la desposesión, el abandono y la paranoia, los cuales nacieron dentro de la sociedad angloirlandesa y encontraron su expresión particular en la ficción gótica. Abstract:Within the Irish space, we will see how the Anglican society, caught between the native Irish elements and the English society, influenced the development of the Irish Gothic. Important issues such as paranoia, the fear to the Other and the protection of the Self emerged under a new manufacture. The Irish landscape, the Irish folklore and the struggles between Protestants and Catholics are elements located within the Irish Gothic.Together with this, this study will concern itself with an analysis of important elements such as dispossession, abandonment and paranoia, they were born in the Anglo-Irish society and found its particular expression in the Gothic fiction.Palabras clave: Novela gótica irlandesa. Características principales. Finales siglo XVIII / finales siglo XIX.

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Section: La Atracción De Los Escritores Anglo-irlandeses Hacia La Ficunclassified

Análisis de las características literarias en la novela gótica irlandesa (1760-1897). Una aproximación = Analysis of literary features in the Irish Gothic novel (1760-1897). An approach

Felices¹,

García²

2016

Signa: Revista De La Asociación Española De Semiótica

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“…57 At the end of his unsettling passage through Ireland/Transylvania, Harker is received by Count Dracula, whom many critics, including Deane and Terry Eagleton, have identified as an Anglo-Irish landlord. 58 The Big House-the distinctive country seat of the Anglo-Irish landowning class, which, beginning with Maria Edgeworth's Castle Rackrent (1800), provided the setting for a great deal of Irish fiction in the nineteenth and twentieth centuries-is inevitably evoked by Castle Dracula. Despite its decadent condition and his own shabby appearance, its hermitic occupant is absurdly meticulous in his observation of the etiquette of hospitality, reflecting the futile adherence to tradition by a ruling caste in decline.…”

Section: Count Dracula: Ascendancy Landlord or Underclass Immigrant?mentioning

confidence: 99%

The Critics’ Count: Revisions ofDraculaand the Postcolonial Irish Gothic

Keogh

2014

Postcolon. Lit. inq

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This article revisits Irish criticism of the foundational period of postcolonial studies in view of its relevance to the topic of revisionism in contemporary postcolonial theory. Situating the status of Ireland and its literature in postcolonial studies, it suggests that the early distinction between academic "rereading" and creative "writing back" is a false one and that developments in Irish studies in the 1980s anticipate the more nuanced brands of contemporary postcolonialism. As a case in point, the article considers critical revisions of Irish Gothic fiction, which provided a context for various revisions conducted in the 1990s and early 2000s of the novel Dracula (1897) by Bram Stoker . It focuses on the "metrocolonial" concept introduced by Joseph Valente, which offers a means not only of connecting these revisions but of specifying the postcolonial status of Ireland and of relating revisionism to the revolutionary and reconciliatory strands of contemporary postcolonial theory.

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John Ferriar’s Psychology, James Hogg’s Justified Sinner, and the Gay Science of Horror Writing

Faubert¹

2010

Romanticism and Pleasure

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Gothic Genealogies: Dracula, Bowen's Court, And Anglo-Irish Psychology

Cited by 8 publications

References 5 publications

Análisis de las características literarias en la novela gótica irlandesa (1760-1897). Una aproximación = Analysis of literary features in the Irish Gothic novel (1760-1897). An approach

Análisis de las características literarias en la novela gótica irlandesa (1760-1897). Una aproximación = Analysis of literary features in the Irish Gothic novel (1760-1897). An approach

The Critics’ Count: Revisions ofDraculaand the Postcolonial Irish Gothic

John Ferriar’s Psychology, James Hogg’s Justified Sinner, and the Gay Science of Horror Writing

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