Globalizing the sociology of the arts and culture: East Asian perspectives

Abstract

In this editorial, I argue for a globalized sociology of the arts and culture that transcends West-centered theories and practices. To this end, two interrelated perspectives—global and decentering—are needed. The article commences with a brief overview of the emergence of the sociology of arts in the West, and synthesizes major themes emerging from articles in the thematic series and the existing literature on creative cultures in East Asia. These themes include local–global dynamics (such as flows, legitimacy, and the centrality of the local), regionalization, state support and control, and theorizing beyond the arts. Finally, I highlight several promising directions for future research, and emphasize that East Asian perspectives present distinct opportunities to advance the sociology of the arts and culture.

The Culture of Censorship: State Intervention and Complicit Creativity in Global Film Production

“…State–market relations vary by country and are rooted in history (Morgan and Orloff 2017), and multiple state–market relations may coexist within a single state (Hoang 2018). In countries like China and South Korea, the state infiltrates various sectors and forges close relationships with private actors (Ang 2020; Fang 2023; Kim 2018). These relationships are fragile but provide mutual benefits, constituting “contingent symbiosis” (Spires 2011).…”