During the 17th century, in a new contested tradition known as Theories of the Earth, conventions for the visual representation of the Earth as a whole developed alongside the expression of biblical idiom. Global depictions carried embedded biblical idiom that shaped the formulation of questions, the development of theories, and the exchange of discoveries and ideas.In several examples I contrast the varying ways in which biblical idiom was expressed within global depictions, particularly hexameral idiom (i.e. the language of the six day creation in Genesis 1). I discuss the Jesuit mathematician Gabriele Beati and meteorological and cosmic sections; the cosmogonic sections and hexameral idiom of Robert Fludd; the geogonic sections and hexameral idiom of René Descartes; the apocalyptic idiom of Thomas Burnet; and the global depictions and hexameral idiom of William Whiston in the controversy over Burnet. Biblical and particularly hexameral idiom proved durable and versatile for more than a century after Fludd, and facilitated the development of a directionalist sense of Earth history. The continuities of visual conventions, the durability of hexameral idiom, and the contrasts of disciplinary perspectives and local contexts observed in the examples considered here conform well to the characterization of Theories of the Earth as a contested print tradition.