Abstract:These latter essays are among the very few in the volume that focus on objects other than books, and also reinforce the principle link for the objects scrutinized as their presence in the Stokes collection. As such, the subtitle of the volume (European Art in Australian Collections) is something of a misnomer; its strength lies elsewhere, in pointing a critical and scholarly lens at the private Stokes collection, one that is clearly in need of, and will only benefit from, further scholarly research. Moreover, … Show more
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