Abstract:The article explores Johannes Kepler’s abortive attempts to produce an opulent, decorative art object to accompany the publication of his first treatise, Mysterium Cosmographicum (1596). It was Kepler’s hope that this Credentzbecher, so-called because it was designed to resemble a large, ceremonial chalice, would valorize the significance of what he believed to be an epoch-defining discovery concerning the proportional nature of the planetary intervals and serve as a personal introduction to his local sovereig… Show more
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