2008
DOI: 10.1080/08949460802156466
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Ghosts of Futures Present: Photographs in the Filipino Migrant Archive

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Cited by 15 publications
(3 citation statements)
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“…While the mobilities paradigm (Sheller and Urry 2006) highlights how subjectivities are configured through relations with people and places (Conradson and McKay 2007: 168; see Berg 2014: 2), anthropological approaches to subjectivity privilege the “internal life of the subject” (McKay 2008: 382). We suggest that children who are sent to boarding school in Nigeria, and then back to the UK for school holidays, experience a continual process of mobility, and subsequently develop transnational lives.…”
mentioning
confidence: 99%
“…While the mobilities paradigm (Sheller and Urry 2006) highlights how subjectivities are configured through relations with people and places (Conradson and McKay 2007: 168; see Berg 2014: 2), anthropological approaches to subjectivity privilege the “internal life of the subject” (McKay 2008: 382). We suggest that children who are sent to boarding school in Nigeria, and then back to the UK for school holidays, experience a continual process of mobility, and subsequently develop transnational lives.…”
mentioning
confidence: 99%
“…Clearly then, even if Carding never really got to talking about what the images might have meant, he was, to a degree, deconstructing the conceptual arguments that he thought were embedded in them. This particular reaction concretises the idea that no matter how one tries to pin down the meaning of a photograph at the moment of production, one cannot really pin down how viewers might interpret it at the moment of consumption (see Barthes 1981;McKay 2008).…”
Section: Voice As Heard: On the Mediation Of Image Consumptionmentioning
confidence: 87%
“…But then again, this mode also raises the issue that those viewing the photographs might interpret visual narratives in ways that are less aligned with the migrantsÕ original intent. Instead, these viewers might have an understanding of the images that are more in line with the dominant discourses of the particular society or the particular social domain in which they are embedded (for example, see McKay 2008).…”
Section: The Photographic Modes and Migrant Voicesmentioning
confidence: 99%