GHI project and "Cyber Kendang"

Nagashima, Yoichi

doi:10.1145/1279740.1279791

Search citation statements

Order By: Relevance

Paper Sections

Select...

Performance-based1

Citation Types

Supporting

Mentioning

Contrasting

Year Published

2014

Publication Types

Select...

Article1

Relationship

Self Cite0

Independent1

Authors

Journals

Cited by 1 publication

(1 citation statement)

References 3 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…Other instruments of different cultures that have been augmented include the Cyber Kendang (Sundanese percussion instrument) (Nagashima 2007), e-Suling (Indonesian bamboo flute) (Erskine and Kapur 2011), Hyper-shaku (Japanese flute) (Beilharz, Jakovich and Ferguson 2006), eJanggu (Korean percussion instrument), and eHaegum (Korean bowed string instrument) (Kapur, Kim, Kapur and Eom 2013).…”

Section: Performance-basedmentioning

confidence: 99%

Contemporary Practices of Extending Traditional Asian Instruments Using Technology

Kapur

Carnegie

2014

Org. Sound

View full text Add to dashboard Cite

Ongoing development of audio and informational technology has had an impact on almost every aspect of the musical arts. Cultures and subcultures have cross-pollinated through the rapid exchange of information and have metamorphosed into new fields of technology-based art forms, one of which is the integration of technology in Asian ethnic musics. This article specifically focuses on the integration of technology with the traditional music of India, Indonesia, China, Japan and Korea. By reviewing the history of this metier, we explore the various applications of technology in traditional Asian music and its future.

show abstract

Section: Performance-basedmentioning

confidence: 99%