2012
DOI: 10.1037/a0029360
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Getting the most out of living abroad: Biculturalism and integrative complexity as key drivers of creative and professional success.

Abstract: The current research investigated how patterns of home and host cultural identification can explain which individuals who have lived abroad achieve the greatest creative and professional success. We hypothesized that individuals who identified with both their home and host cultures (i.e., biculturals) would show enhanced creativity and professional success compared with individuals who identified with only a single culture (i.e., assimilated and separated individuals). Further, we expected that these effects w… Show more

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Cited by 282 publications
(324 citation statements)
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References 139 publications
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“…Indeed, the act of producing something creative occurs when people move beyond preexisting associations and instead generate novel ideas, flexibly frame the same problem in multiple ways, or recombine existing ideas to make novel connections (Guilford, 1950;Mednick, 1962;Sassenberg & Moskowitz, 2005;Schooler & Melcher, 1995;Ward, Smith, & Finke, 1999). These creative processes occur more readily when people take into account and combine multiple categories and representations (e.g., Simonton, 1988;Tadmor, Galinsky, & Maddux, 2012) rather than rely on what they believe are fixed, essential characteristics of category membership (Ward, 1994(Ward, , 1995. Thus, we expected that an essentialist mind-set would undermine general creative potential and that this deleterious effect would be due to essentialists' closed-minded tendency to avoid divergent views.…”
mentioning
confidence: 99%
“…Indeed, the act of producing something creative occurs when people move beyond preexisting associations and instead generate novel ideas, flexibly frame the same problem in multiple ways, or recombine existing ideas to make novel connections (Guilford, 1950;Mednick, 1962;Sassenberg & Moskowitz, 2005;Schooler & Melcher, 1995;Ward, Smith, & Finke, 1999). These creative processes occur more readily when people take into account and combine multiple categories and representations (e.g., Simonton, 1988;Tadmor, Galinsky, & Maddux, 2012) rather than rely on what they believe are fixed, essential characteristics of category membership (Ward, 1994(Ward, , 1995. Thus, we expected that an essentialist mind-set would undermine general creative potential and that this deleterious effect would be due to essentialists' closed-minded tendency to avoid divergent views.…”
mentioning
confidence: 99%
“…Interestingly, creativity was found to be enhanced 'only when participants recalled a functional multicultural learning experience and only when participants had previously lived abroad' (p.731). Tadmor, Galinsky and Maddux (2012) took this line of investigation one step further, by looking beyond the effect of mere exposure to new cultures on creativity and professional success. The authors wondered why all individuals who had lived abroad for several years did not perform at the same rate.…”
Section: The Effect Of Multilingualism On Lower-order Psychological Amentioning
confidence: 99%
“…Diversos benefícios já foram relacionados ao multiculturalismo, entre eles: adaptabilidade, liderança e capacidade de resolução de problemas (Friedman & Liu, 2009); sucesso profi ssional (Tadmor, Galinsky, & Maddux, 2012); ampliação de redes sociais (Mok, Morris, Benet-Martínez, & Karakitapoglu-Aygun, 2007); e criatividade (Crisp & Turner, 2011;Leung & Chiu, 2010;Saad, Damian, Benet-Martínez, Moons, & Robins, 2012). A criatividade, entendida como um processo por meio do qual algo útil e original é criado (Amabile, 1996), tem sido amplamente investigada nessa relação.…”
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“…São quatro as estratégias apontadas: assimilação, separação, marginalização e integração. Tadmor, Galinsky et al (2012) verifi caram que estudantes universitários que adotaram estratégia aculturativa de integração tinham escores superiores em medidas de criatividade em comparação a indivíduos que adotaram estratégia aculturativa de separação ou assimilação. Dessa forma, o modelo de identifi cação multicultural baseado nas estratégias de aculturação explicaria como o multiculturalismo relaciona--se à criatividade.…”
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