Gestörte Sehordnung

Stanisavljevic, Marija

doi:10.1515/sosi-2015-0103

Cited by 2 publications

(4 citation statements)

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“…Die Knappheit und die Dichte des visuellen Ausdrucks gewährleisteten leichte Kommunizierbarkeit, Transportierbarkeit, Erkennbarkeit und vermeintliche Verständlichkeit der Protestziele (vgl. Stanisavljevic 2015).…”

Section: Verknappte Visualisierung Der Protestgemeinschaft: Die Symboleunclassified

“…Doch seine Krise ist die massenmediale Routine, die erwartet und in schon bestehende, hochgradig formalisierte Muster der Berichterstattung eingespeist wird. Nicht zuletzt muss sich die Protestkommunikation gegen die eingespielten kommunikativen und darstellerischen massenmedialen Routinen behaupten (Stanisavljevic 2015). Die Zuspitzungs-und Dramatisierungslogik der Protestkommunikation ist das Resultat der guten gegenseitigen Kenntnis der Wirkungsweisen des Gegenübers.…”

Section: Routinierte Krisenberichterstattung Und Die Dramatisierungsl...unclassified

“…Das Spezifikum ästhetischer Kommunikation ist, dass sie einerseits die Unterscheidung zwischen Form und Inhalt als gezieltes Spiel mit der Realität forciert und andererseits diese Unterscheidung stets offenlegt, mitprozessiert. In ihren radikalsten Varianten kann sie jeglichen Bezug zur Realität aufheben, so als cineastische Fiktion der Zombiefilme, oder nur noch mit der Form spielen, so im Fall der expressionistischen Farbmalerei (Stanisavljevic 2015). Hier erfolgt die Erschließung möglicher Inhalte über eine intensive Auseinandersetzung mit sinnlich wahrnehmbaren Formen.…”

Section: Suspendierung Des Alltagsunclassified

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Widerständige Kommunikation – Protest im Spannungsfeld von Massenmedien und Ästhetik

Stanisavljevic

2016

Österreich Z Soziol

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This contribution examines the relevance of mass media for protest and especially of the visualisation of protest communication. Central questions are: What is a Protest and how could it be distinguished from other social phenomena? The goal of the article is to show the main challenges, the most important coping strategies and key characteristics of protest communication. The analytical outcome of this article is based on the interpretation of "A Punk Prayer" Video by the Russian band Pussy Riot as well as sociological theories of social systems and knowledge.

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Section: Verknappte Visualisierung Der Protestgemeinschaft: Die Symboleunclassified

Section: Routinierte Krisenberichterstattung Und Die Dramatisierungsl...unclassified

Section: Suspendierung Des Alltagsunclassified

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Widerständige Kommunikation – Protest im Spannungsfeld von Massenmedien und Ästhetik

Stanisavljevic

2016

Österreich Z Soziol

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“…The aim is to contribute to our understanding of how plastics as materials become political (Westermann 2007) and by what means they are problematised within political concerns (Gabrys, Hawkins & Michael 2013: 4-5;Pathak & Nichter 2019: 308-309). Visual framing, aesthetics and material culture have always been an essential part of political movements (Mattoni & Treune 2014;Müller & Sommer 2020;Stanisavljevic 2015;Watzlawik 2018). As our analysis will show, the contrast between lifestyles in Bangladesh and the countries organising the campaign gave rise to two conflicting ideas: on the one hand, the idea of empowerment, the promotion of domestic processing of raw materials and improving access to world trade; on the other, the promotion of an economic model beyond growth, in which a simpler, more sustainable lifestyle could provide a role model for social life.…”

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Problematising Plastic: A Visual Analysis of the ‘Jute not Plastic’ Campaign, 1976–1979 (Switzerland, Germany, Austria)

Bruns¹,

Sommer²

2021

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The Jute Not Plastic Campaign Jute statt Plastik (hereafter Jute not Plastic) was a political campaign that originated in Switzerland in 1976. It arose out of activities by Erklärung von Bern (The Bern Declaration), a non denominational and politically independent organisation based on a manifesto of the same name that garnered 1,000 signatures in 1968. The manifesto called for fair globalisation, and the signatories committed themselves to donating 3 per cent of their income to development cooperation. The main aim of the Jute not Plastic campaign was to combine political education with the implementation of specific projects of development cooperation. The campaign bought jute bags produced by women's cooperatives in Bangladesh, which were initially sold in Switzerland as an alternative to plastic bags. Two main reasons were cited for problematising plastic objects: Firstly, the low manufacturing cost of plastic items resulted in less demand for objects made from natural material and thereby a reduction in manufacturing jobs in countries such as Bangladesh; secondly, plastic objects bring with them an 'unsolved disposal problem, because they cannot be degraded by any biological process (rotting, decay) and can only be incinerated' (Jute-Aktion 1977b: 40). 1 The campaign argued that a plastic bag entails four times the energy consumption of a jute bag and that extended use of a jute bag increases the energy-saving twentyfold in comparison with a bag made out of plastic.The project in Bangladesh was coordinated by the nonprofit organisation Jute Works, which was created in 1973 by the Christian Organisation for Relief and Rehabilitation. 2 Following the success of the campaign in Switzerland, alternative trading organisations adopted the idea in Germany and Austria. The campaign in Germany was initiated in 1978 by the GEPA Aktion Dritte Welt Handel e.V. (Mission Third World Trade), an organisation working with support groups, cooperatives and governmental organisations in Africa, Asia and Latin America. By importing jute bags and various other products, such as coffee, the aim was to promote the social and economic development of producers. At the same time, 'the sale of the products should also inform the awareness in the consumer countries about the development process and international dependencies' (Aktion Jute statt Plastik 1979a). 3 The project was carried out by the Arbeitsgemeinschaft Dritte Welt Läden e.V. (Working Group of Third World Shops), an association of 'worldshops' operating in cities throughout West Germany in the 1970s. The German campaign was rooted in the work of Christian youth organisations under the two umbrella organisations of the Catholic Bund der Deutschen Katholischen Jugend and the Protestant Arbeitsgemeinschaft der Evangelischen Jugend. GEPA Aktion Dritte Welt Handel distributed the material for the campaign and the jute bags (see Figure A), and local groups were responsible for implementation on the ground, as the target group of the campaign was the common public.In this study,...

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Gestörte Sehordnung

Cited by 2 publications

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Widerständige Kommunikation – Protest im Spannungsfeld von Massenmedien und Ästhetik

Widerständige Kommunikation – Protest im Spannungsfeld von Massenmedien und Ästhetik

Problematising Plastic: A Visual Analysis of the ‘Jute not Plastic’ Campaign, 1976–1979 (Switzerland, Germany, Austria)

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