Abstract:This chapter compares Hollywood and Nazi uses of melodrama during World War II and demonstrates that the American home front film portrayed the war effort as a defense of middle-class domesticity, while the Nazi home front melodrama suggested that war provided a means to intensified erotic experience. Home front melodramas featuring female main protagonists, contemporary settings, and a thematization of the war were produced in Hollywood and in Babelsberg, but the form and extent of this treatment was not iden… Show more
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