Abstract:Hazlitt’s judgement that George Crabbe was an enemy of the imagination epitomizes contemporary opinions about the lack of musing, amusement, and pleasure in Crabbe’s verse. In the Preface to Tales (1812), Crabbe effectively confirms those judgements by defending his interest in ‘the painful realities of actual existence’ rather than the ‘fairy-land’ of ‘fancy’. In his late poem, ‘Silford Hall; or, The Happy Day’ (composed c. 1822–1824), however, the struggle between matter-of-factness and reverie is less decid… Show more
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