Additional information:Use policyThe full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that:• a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders.Please consult the full DRO policy for further details. is, suspending it as a space for both opportunity and critique. Drawing on participant observation at a sharing economy 'festival' and analysis of the vocabularies of online platforms, the paper outlines three performances of sharing through community, access and collaboration. It argues through these performances that the sharing economy is contingent and complexly articulated. It has the potential to both shake up and further entrench 'business-as-usual' through the ongoing reconfiguration of a divergent range of (economic) activities. Whilst offering an antidote to the narrative of economy as engendering isolation and separation, the sharing economy simultaneously masks new forms of inequality and polarisations of ownership. Nonetheless, the paper concludes in suggesting that by pointing to wider questions concerning participation in, access to and production of resources, the sharing economy should not be dismissed. Instead, it should serve as prompt to engage with 'digital' transformations of economy in the spirit of affirmative critique that might enact the promise of doing economy differently.