General Concepts from Morphogenetic Music, Belonging to the Musical Thought of Aurel Stroe (I)

Abstract

This paper continues the investigation into maestro AurelStroe's view on composition related to morphogenetic music described at a theoretical and musicological level: the paper tries to expose the main concepts of his creation, of his musical thinking (whose complexity remains unequalled in the 20th century in the Romanian musical creation). His concepts and vision stem from the direct contact with the most important currents of contemporary European thinking (that he lived with), Aurel Stroe's contribution to musicology includes a corpus of musicological concepts which require systematization and, thus, a deeper understanding.