Abstract:For decades, the history of gender and madness was a story about women. Individuals deemed lunatics were universally treated as passive victims of medio‐legal forces beyond their control. New generations of scholars have looked beyond power binaries to interrogate the complex network of gender, class, family, and culture to place ‘the mad’ as historical actors in a complex and often contradictory story. This article reflects on some major themes in the British historiography of Victorian gender and madness sin… Show more
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