Gcomp: Graphic Control of Mixing and Processing

Banger, Colin; Pennycook, Bruce W.

doi:10.2307/3679531

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Digital Audio Processing Tools1

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1985

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“…Other approaches include the New York Institute of Technology Digital Editor [Kowalski and Glassner 19821, a Banger and Pennycook [1983], an interactive graphics package for specifying and editing time-varying sound, file processing, and mixing control functions, and various commercial packages described above that include digital recording a playback.…”

Section: Digital Audio Processing Toolsmentioning

confidence: 99%

Computer-music interfaces: a survey

Pennycook

1985

ACM Comput. Surv.

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This paper is a study of the unique problems posed by the use of computers by composers and performers of music. The paper begins with a presentation of the basic concepts involved in the musical interaction with computer devices, followed by a detailed discussion of three musical tasks: music manuscript preparation, music language interfaces for composition, and real-time performance interaction. Fundamental design principles are exposed through an examination of several early computer music systems, especially the Structured Sound Synthesis Project. A survey of numerous systems, based on the following categories, is presented: compositions and synthesis languages, graphics score editing, performance instruments, digital audio processing tools, and computeraided instruction in music systems. An extensive reference list is provided for further study in the field.

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Section: Digital Audio Processing Toolsmentioning

confidence: 99%

Computer-music interfaces: a survey

Pennycook

1985

ACM Comput. Surv.

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Gcomp: Graphic Control of Mixing and Processing

Cited by 1 publication

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Computer-music interfaces: a survey

Computer-music interfaces: a survey

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