2003
DOI: 10.1152/jn.00851.2002
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Gabor Analysis of Auditory Midbrain Receptive Fields: Spectro-Temporal and Binaural Composition

Abstract: The spectro-temporal receptive field (STRF) is a model representation of the excitatory and inhibitory integration area of auditory neurons. Recently it has been used to study spectral and temporal aspects of monaural integration in auditory centers. Here we report the properties of monaural STRFs and the relationship between ipsi- and contralateral inputs to neurons of the central nucleus of cat inferior colliculus (ICC) of cats. First, we use an optimal singular-value decomposition method to approximate audi… Show more

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Cited by 111 publications
(148 citation statements)
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“…During the 20-min presentation of the DMR, each ear was stimulated with an independent DMR. This allowed us to concurrently measure independent STRFs for the contralateral and ipsilateral ears (Qiu et al 2003). For the purpose of this study, only the STRF for the contralateral ear are considered as it characterizes the dominant phase locked response of CNIC neurons (Qiu et al 2003).…”
Section: Acoustic Stimuli and Deliverymentioning
confidence: 99%
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“…During the 20-min presentation of the DMR, each ear was stimulated with an independent DMR. This allowed us to concurrently measure independent STRFs for the contralateral and ipsilateral ears (Qiu et al 2003). For the purpose of this study, only the STRF for the contralateral ear are considered as it characterizes the dominant phase locked response of CNIC neurons (Qiu et al 2003).…”
Section: Acoustic Stimuli and Deliverymentioning
confidence: 99%
“…2, B and D). Neuronal responses were classified as either band-pass or low-pass tuned response pattern for both the spectral and temporal modulation dimensions (Qiu et al 2003). To do this, the lower 3-dB cutoff was measured for the sMTF and tMTF independently.…”
Section: Ripple Transfer Function Analysismentioning
confidence: 99%
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“…However, in higher levels of the auditory system, white noise tends to be ineffective at eliciting neuronal responses (Wang et al, 2005). This has led auditory researchers to use other stimuli, such as dynamic random chords (DRCs) (deCharms et al, 1998;Schnupp et al, 2001;Rutkowski et al, 2002;Linden et al, 2003), natural sounds Theunissen et al, 2000;Machens et al, 2004), and a family of stimuli whose basic element is a ripple, a sound modulated sinusoidally in both the temporal and spectral domains (Kowalski et al, 1996a,b;Calhoun and Schreiner, 1998;Klein et al, 2000;Escabí and Schreiner, 2002;Miller et al, 2002;Qiu et al, 2003;Fritz et al, 2005). For many of these stimulus classes, the power at any two points in spectrotemporal space is uncorrelated by design, which simplifies estimation of the STRF.…”
Section: Introductionmentioning
confidence: 99%
“…The stimulus ensemble used to derive STRFs is typically composed of random broadband sounds that do not contain any autocorrelation structure in the time or frequency domains (Eggermont et al, 1983;Schreiner and Calhoun, 1994;Blake and Merzenich, 2002;Rutkowski et al, 2002). Stimulus ensembles composed of random overlapping tone pips (deCharms et al, 1998;Blake and Merzenich, 2002;Valentine and Eggermont, 2004) and dynamic ripple sounds have been used extensively because they simulate elementary features of complex sounds (Depireux et al, 2001;Miller et al, 2001Miller et al, , 2002Qiu et al, 2003;Escabí and Read, 2005). Both multi-tone pip and ripple stimuli, although still artificial (i.e., not present in the natural environment), are presumably more natural than single nonoverlapping tone pips because they contain spectrotemporal modulations.…”
Section: Introductionmentioning
confidence: 99%