1994
DOI: 10.1121/1.408685
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Fundamental frequency estimation of musical signals using a two-way mismatch procedure

Abstract: Fundamental frequency (F0) estimation for quasiharmonic signals is an important task in music signal processing. Many previously developed techniques have suffered from unsatisfactory performance due to ambiguous spectra, noise perturbations, wide frequency range, vibrato, and other common artifacts encountered in musical signals. In this paper a new two-way mismatch (TWM) procedure for estimating F0 is described which may lead to improved results in this area. This computer-based method uses the quasiharmonic… Show more

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Cited by 111 publications
(55 citation statements)
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“…For these systems, as well as fundamental frequency detection [13], audio coding, and music information retrieval (MIR), improving the estimation of sinusoidal parameters is very important.…”
Section: Introductionmentioning
confidence: 99%
“…For these systems, as well as fundamental frequency detection [13], audio coding, and music information retrieval (MIR), improving the estimation of sinusoidal parameters is very important.…”
Section: Introductionmentioning
confidence: 99%
“…In [6], the peak tracking algorithm is based on a hidden Markov models and thus has a high computation complexity. Meanwhile, others methods [7,8] are able to track spectral structures…”
Section: Time-frequency Tracking Of Peaks and Structuresmentioning
confidence: 99%
“…These descriptions can be obtained using the audio features described in [19] and were discussed in previous works such as [14]. For example, the duration can be obtained using the Temporal-Effective-Duration feature, the description of the attack using the Log-Attack-Time (an efficient method to estimate it has been proposed in [19]), the pitch using numerous existing pitch estimation algorithms [32] [33] [34] [35], the spectral distribution using the perceptual features spectral centroid and spectral spread. …”
Section: E Remaining Descriptionmentioning
confidence: 99%