“…[…] If one thousand Americans performed the “sight-seeing” of Rome in 1860, the number had reached thirty thousand by 1900.’ Freeman, Terry and Brown are still listed as artists present in Rome, but also Chapman, Rothermel, ‘Page, the distinguished colorist’ who had just finished the ‘painting of the lamented Crawford,’ Wild, Thompson, ‘Whitridge, a landscape painter,’ Tilton, ‘Nichols, a follower of Page’s theories,’ besides the poet Read. Regarding the function of the urban space in the writings of Fuller and Hawthorne, see at least Bailey (2002).…”