Abstract:This review essay considers Alejandro de la Fuente and Ariela J. Gross’s Becoming Free, Becoming Black (2020); Laura F. Edwards’s The People and Their Peace (2009); Ariela J. Gross’s Double Character ([2000] 2006); Martha S. Jones’s Birthright Citizens (2018); Kelly M. Kennington’s In the Shadow of Dred Scott (2017); and Kimberly M. Welch’s Black Litigants in the Antebellum South (2018), arguing that one important implication of these works is that the roots of post-Reconstruction Black legal culture can be fo… Show more
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