“…For my own part, I am interested in the historical production of our senses and that which we sense, including the separation of and division between our senses, such that we think about the visual as solely concerning the eye or the aural and solely concerning the ear. The liberatory project is not about how we will finally master the postdigital but rather how and who will continue to produce the postdigital and in what ways (Ford et al 2022). Moreover, what changes must we consider when we propose sonic pedagogical and political tactics in a liberatory project?…”