2017
DOI: 10.1162/desi_a_00448
|View full text |Cite
|
Sign up to set email alerts
|

From Stitch to Society: A Multi-Level and Participatory Approach to Design Research

Abstract: This paper describes a doctoral research project that investigated the theme of openness in fashion, generating insights related to reworking, open design, and the lived experience of homemade clothes. A distinctive, practice-based approach to design research emerged from the project, which uses generative and participatory processes of designing and making to investigate research questions at multiple levels: from micro-scale practical challenges to much broader social issues. This multi-level structure empha… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1

Citation Types

0
5
0

Year Published

2017
2017
2024
2024

Publication Types

Select...
5

Relationship

0
5

Authors

Journals

citations
Cited by 5 publications
(5 citation statements)
references
References 2 publications
0
5
0
Order By: Relevance
“…Kate Fletcher [26], for example, advocates for moving beyond the consumption of clothing towards deep engagement with wearing, altering, mending, and tending them. Similarly, Twigger Holroyd [27] sees significant potential for changing the fashion system by disrupting it with homemade clothing. Community groups are often seen as important points of contact for encouraging making and mending [28][29][30], a point further illustrated via the Stitching Together Network (https://stitchingtogether.net/, accessed on 27 November 2023).…”
Section: Literature Review 21 Using Thematic Areas Of Research On Sus...mentioning
confidence: 99%
“…Kate Fletcher [26], for example, advocates for moving beyond the consumption of clothing towards deep engagement with wearing, altering, mending, and tending them. Similarly, Twigger Holroyd [27] sees significant potential for changing the fashion system by disrupting it with homemade clothing. Community groups are often seen as important points of contact for encouraging making and mending [28][29][30], a point further illustrated via the Stitching Together Network (https://stitchingtogether.net/, accessed on 27 November 2023).…”
Section: Literature Review 21 Using Thematic Areas Of Research On Sus...mentioning
confidence: 99%
“…It can also be empowerment to be creative [49] and to imagine different futures, and to see oneself as a creator of the material future we are heading towards [50]. Interacting with the material world can also contribute to sustainability, as consumers learn to interact with everyday objects, such as clothes, and repair and redesign them instead of only buying, using and discarding [51]. In light of the ongoing global e-waste crisis due to the obsolescence of ubiquitous technological artefacts, industrial players should obviously produce more sustainable devices [52][53][54] but, until this happens, an individual user's ability to repair through applying maker knowledge is a powerful expression of agency [55] and is supported by the recently launched Right to Repair movement, while makerspaces at e-waste sites are also empowering local makers [56,57].…”
Section: Inclusiveness and Empowermentmentioning
confidence: 99%
“…This can lead to low participation rates and alienation of the majority of local communities from makerspaces, as they develop a feeling that a makerspace is not easily approachable [69]. Sometimes making activities might simply be uninteresting to the majority of people [51] or feel too intimidating, for example because of the high technology used [69]. Certain groups might also be more vulnerable to alienation, for example because of language issues making it more difficult to interact with other makers [43,44].…”
Section: Cultural Barriers In Maker Practicesmentioning
confidence: 99%
See 1 more Smart Citation
“…In openly shared processes, sharing post-use (i.e. repair, reuse, upgrade) related knowledge along with open outcomes was also a crucial, yet overlooked aspect for actually opening up those processes (Holroyd, 2017).…”
mentioning
confidence: 99%