From quest to quill

Cutler, Larry; Darnell, Eric; Dirksen, Nathaniel; Tucker, Amy L.; Stafford, Scot; Oh, Erick; Nagpal, Anika; Lee, Eusong; Ladd, Nick

doi:10.1145/3446368.3452126

Cited by 3 publications

(7 citation statements)

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“…Utilizing the compositional methods of virtual reality space, it presents an astonishing visual effect and won the Best Virtual Reality Animation Experience Award at the 2015 Sundance Film Festival. Cutler et al [59] used Oculus's VR animation tool "Quill" to re-arrange themes of environmental protection and women's empowerment in works like "Baba Yaga" and "Tree." Scholar Qin Liu created a VR animation of the ancient city within "Along the River During the Qingming Festival," offering viewers a new first-person "peep" perspective [60].…”

Section: Vr Painting Application Scenariosmentioning

confidence: 99%

Virtual reality painting: A structured review of a decade of innovation

Shi,

Lu,

Liu

et al. 2024

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<p>Various studies have widely utilized virtual reality (VR) in painting creation. However, there has been few conclusive studies on VR painting. The present systematic literature review describes the current state of knowledge and practices using VR in painting and provides guidance for painters and scholars focusing on human computer interaction design by critically appraising and summarizing the existing research. It also outlines a wide range of results yielded by quantitative, qualitative and mixed-method studies to investigate potential benefits, difficulties, and effectiveness of VR painting. Overall, 44 studies published from 2013 until 2023 were analysed, with 16 articles introduced the hardware technology and interaction mode of VR painting, 17 articles introduced the beautification method of VR painting, and 11 articles focused on the application of VR painting in different fields. Implications for practice and research are discussed in detail, as the hardware selection, interaction, and physical simulation in VR painting scenes.<strong></strong></p>

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Section: Vr Painting Application Scenariosmentioning

confidence: 99%

Virtual reality painting: A structured review of a decade of innovation

Shi,

Lu,

Liu

et al. 2024

View full text Add to dashboard Cite

show abstract

“…An asymmetric co-occurrence matrix is created by calculating the concepts' relative co-occurrence frequencies. This matrix produces a two-dimensional concept map using a proprietary clustering algorithm based on Audio First [152][153][154][155][156] Audio and Multimodal Integration [157][158][159][160][161][162][163][164][165][166] Audio in Multimodal Comparison [167] Multimodal Experience [168][169][170][171][172][173][174][175] the spring-force model for the many-body problem [83]. The correctness of each concept in this semantic network generates a third hierarchical dimension, which displays the more general parent concepts at the higher levels.…”

Section: Computer-aided Qualitative Data Analysis Software (Caqdas)mentioning

confidence: 99%

“…Commercial headphone equalizers based on HRTFs (Unity or Unreal Engine with Stea-mAudio or FMOD) are used in various works [46, 104, 116, 133, 144-146, 153, 164, 165, 175, 184-186]. Other headphones, commercial or open-source headphone-based rendering models, and commercial or open-source libraries have been considered in reviewed papers: OpenAL [108,109,142], Audiokinetic WWise [155], Apple XCode [175], Processing [130] or not specified [56,110,131,143,150,159,174,187]. Andolina et al [134] uses a "headset capable of 3D audio".…”

Section: Sound Reproduction and Spatialisationmentioning

confidence: 99%

“…23 studies use tangible devices, such as console games or VR headset controllers [86,128,133,144,145,149,152,159,165,168,175,186], haptic interfaces [158] or custom-built devices. In ec(h)o [61], users indicate a particular preference for presented audio content by rotating a wooden cube with coloured faces whose position is detected by a camera.…”

Section: Interaction With the Virtual Environmentmentioning

confidence: 99%

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The Role of Audio in Immersive Storytelling: a Systematic Review in Cultural Heritage

Privitera,

Fontana,

Geronazzo

2024

Multimed Tools Appl

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Nowadays, Virtual and Augmented Reality technologies play a supportive role in many research fields. In cultural heritage, various examples are available, including storytelling and narratives, where they can provide immersive and enhanced experiences to visitors and tourists, especially for entertainment and educational purposes. This review aims to investigate the opportunities that soundscape design and advanced sonic interactions in virtual and augmented environments can bring to cultural heritage sites and museums in terms of presence, emotional content, and cultural dissemination. Nineteen-two papers have been identified through the PRISMA methodology, and a promising positive effect of sonic interaction on user experience in a virtual environment can be observed in various studies, notwithstanding a general lack of specific contributions on the use of sound rendering and audio spatialisation for improving such experiences. Moreover, this work identifies the main involved research areas and discusses the state-of-the-art best practices and case studies where sonic interactions may assume a central role. The final part suggests possible future directions and applications for more engaging and immersive storytelling in the cultural heritage domain.

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“…Though AI is an expanding and promising field of study, AI content personalization in the audio storytelling domain has very few specific contributions. A relevant example is [22], which employed AI to adapt storytelling in a VR video game based on the Baba Yaga myth with spatial audio. In the game, the user's actions in the virtual world are used to personalize the storyline and virtual avatar behaviors and emotional responses.…”

Section: Personalization In Storytellingmentioning

confidence: 99%

Personalization in Audio Storytelling within Virtual and Augmented Reality: State of the Art and Insights

Privitera,

Fontana,

Geronazzo

2022

Proceedings of the 10th Convention of the European Acoustics Association Forum Acusticum 2023

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Storytelling and narrative are essential components in diverse contexts ranging from entertainment to culture and knowledge. With the progressive evolution of communication, stories also started to be transmitted through digital media. In particular, the emerging and promising field of sonic interactions in virtual environments (SIVE) fosters the creation of immersive experiences in which personalization of user interaction and narrative content can help create engaging and interactive storytelling. The insights presented here aim to define a state of the art of available interactive audio technologies for storytelling and to illustrate the role of audio in augmented and virtual reality (AR/VR) personalized experiences by reviewing a selection of published works. Moreover, we will try to disclose the most important elements enabling an immersive experience and to explain how interactivity, emotional and personalized content help convey messages in the context of serious storytelling. Finally, we will investigate the limitations of the available methods by also outlining some promising research directions.

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From quest to quill

Cited by 3 publications

References 0 publications

Virtual reality painting: A structured review of a decade of innovation

Virtual reality painting: A structured review of a decade of innovation

The Role of Audio in Immersive Storytelling: a Systematic Review in Cultural Heritage

Personalization in Audio Storytelling within Virtual and Augmented Reality: State of the Art and Insights

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