From print to digital: A web edition of Giacomo Leopardi’s Idilli

Abstract

Although most would agree that the future of the scholarly edition lies in the digital medium, it is the print scholarly edition that is still more often cited and read. The production of digital scholarly editions (DSEs) is still seen as an experimental field whose methodology has not yet settled to the extent that a digital editing project can be approached with the same confidence as the making of a print edition. This article describes an experimental conversion of a print scholarly edition—Giacomo Leopardi’s Idilli by Paola Italia (2008)—into a DSE. This posed a challenge due to the complexity of its internal evidence, but was also relatively short and suitable for an experimental edition. Our objective was to assimilate into a web-based DSE all the information contained in the text and apparatus of the print edition. We also sought to discover whether the making of a DSE today that could fully utilize the affordances of the web, would necessarily place a significant technical load on editors who are more accustomed to solving textual problems. We review briefly a number of generic tools for making DSEs and describe two attempts at making our own DSE of Leopardi’s Idilli: a wiki edition whose primary purpose was pedagogical and a DSE based on the software used to make the Charles Harpur Critical Archive (Eggert, 2019, Charles Harpur Critical Archive. http://charles-harpur.org). We compare these experiences and draw conclusions about the prospects of making DSEs today.

4.3 Jane Austen’s The Watsons

“…In addition to these exercises, there is the 'How to Prepare a Critical Edition' section (section 2.6 in this book), which is carried out on Giacomo Leopardi's Alla luna, which is an apparently simple, but actually very complex case because, on the fair copy, Leopardi made, in three different years (1819,1820,1821), three different layers of corrections, with three different pens (which are distinguished in the critical apparatus using letters) and a final series of corrections, probably meant for the 1826 edition of his poems (intitled, Versi), in red pen (a layered representation of the corrections is given in the digital edition Ecdosys Leopardi, cf. Giuffrida et al 2020).…”

1. History

“…History which is carried out on Giacomo Leopardi's Alla luna, which is an apparently simple, but actually very complex case because, on the fair copy, Leopardi made, in three different years (1819,1820,1821), three different layers of corrections, with three different pens (which are distinguished in the critical apparatus using letters) and a final series of corrections, probably meant for the 1826 edition of his poems (intitled, Versi), in red pen (a layered representation of the corrections is given in the digital edition Ecdosys Leopardi, cf. Giuffrida et al 2020).…”