2013
DOI: 10.2979/globalsouth.7.2.134
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From Precarity to Planetarity: Cecilia Vicuña's <em>Kon Kon</em>

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Cited by 6 publications
(2 citation statements)
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“…For migrants, state exclusions and regulations, many socio‐legal in nature, direct the conduct of everyday life (Bhabha, 2002; De Genova, 2004). Elsewhere, everyday life and “daily performance” have been described as a means of “locating within precarity the seeds of alternative futures” (Amich, 2014, p. 140).…”
Section: Precariousness and Linked Livesmentioning
confidence: 99%
“…For migrants, state exclusions and regulations, many socio‐legal in nature, direct the conduct of everyday life (Bhabha, 2002; De Genova, 2004). Elsewhere, everyday life and “daily performance” have been described as a means of “locating within precarity the seeds of alternative futures” (Amich, 2014, p. 140).…”
Section: Precariousness and Linked Livesmentioning
confidence: 99%
“…Over the course of almost five decades, Vicuña developed important and novel strategies of representation that address local and global precarity by drawing our attention to what Candice Amich describes as a refiguring of the "fragility of life and culture under conditions of neoliberal globalization." [33] In Kon Kón, a nearby oil refinery is a recurrent visual trope that symbolizes many layers of buried histories. In juxtapositions between the extractive industry and more pristine views of egrets and the surrounding landscape, Vicuña visualizes how purity and contamination, nature and artifice, untouched and industrial worlds co-exist in proximate, if unstable, orbits.…”
Section: Issue Thirteen : Spring 2019mentioning
confidence: 99%