2019
DOI: 10.1007/978-3-030-04978-2_9
|View full text |Cite
|
Sign up to set email alerts
|

From Minor to Major: Accessing Marginal Voices Through Music. New Ways for Translation?

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0

Year Published

2020
2020
2020
2020

Publication Types

Select...
1
1

Relationship

0
2

Authors

Journals

citations
Cited by 2 publications
(1 citation statement)
references
References 2 publications
0
1
0
Order By: Relevance
“…Opera surtitling has been investigated from the wider perspective of opera accessibility, with articles by Desblache (2018Desblache ( , 2019, Eardley-Weaver (2010, 2014a, 2014b, Matamala & Orero (2007), Neves (2010), Oncins (2014Oncins ( , 2015, Redzioch-Korkuz (2015) or Secara (2018) addressing the problem alongside studies on audio description (AD), surtitling for the D/deaf and Hard-of-Hearing or sign language in opera. In the specific case of surtitling for the deaf and hard-of-hearing, surtitles at opera houses are mainly intended for circumventing linguistic barriers rather than providing accessibility for all (Matamala & Orero 2007, Oncins 2015.…”
Section: Media Accessibility In Operamentioning
confidence: 99%
“…Opera surtitling has been investigated from the wider perspective of opera accessibility, with articles by Desblache (2018Desblache ( , 2019, Eardley-Weaver (2010, 2014a, 2014b, Matamala & Orero (2007), Neves (2010), Oncins (2014Oncins ( , 2015, Redzioch-Korkuz (2015) or Secara (2018) addressing the problem alongside studies on audio description (AD), surtitling for the D/deaf and Hard-of-Hearing or sign language in opera. In the specific case of surtitling for the deaf and hard-of-hearing, surtitles at opera houses are mainly intended for circumventing linguistic barriers rather than providing accessibility for all (Matamala & Orero 2007, Oncins 2015.…”
Section: Media Accessibility In Operamentioning
confidence: 99%