2018
DOI: 10.1057/s41262-018-00146-2
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From Karl Lagerfeld to Erdem: a series of collaborations between designer luxury brands and fast-fashion brands

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Cited by 22 publications
(24 citation statements)
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“…Most recently, Kumar et al (2020) developed a marketing mix for Masstige brands by addressing the radical differences between Masstige and luxury branding strategies in terms of price, income, consumption, branding, market, and metaphors. Furthermore, concepts of luxury and fashion are increasingly interchangeable due to collaborations between luxury brands and (fast-)fashion brands (Mrad et al, 2019), and celebrity fashion designers' contributions to repositioning the strategies of heritage luxury brands since the 1990s, such as Marc Jacobs for Louis Vuitton, John Galliano for Christian Dior, Alexander McQueen for Givenchy, and Tom Ford for Gucci (Bai, 2016). Because of the nature of retailing, luxury fashion brands can imbue their brick-and-mortar stores, especially their flagship stores, with elements of art galleries and museums, through an aesthetically oriented "M(Art)Worlds" strategy to strengthen consumers' in-store experiences (Joy et al, 2014).…”
Section: Defining Luxury Fashion Retailersmentioning
confidence: 99%
“…Most recently, Kumar et al (2020) developed a marketing mix for Masstige brands by addressing the radical differences between Masstige and luxury branding strategies in terms of price, income, consumption, branding, market, and metaphors. Furthermore, concepts of luxury and fashion are increasingly interchangeable due to collaborations between luxury brands and (fast-)fashion brands (Mrad et al, 2019), and celebrity fashion designers' contributions to repositioning the strategies of heritage luxury brands since the 1990s, such as Marc Jacobs for Louis Vuitton, John Galliano for Christian Dior, Alexander McQueen for Givenchy, and Tom Ford for Gucci (Bai, 2016). Because of the nature of retailing, luxury fashion brands can imbue their brick-and-mortar stores, especially their flagship stores, with elements of art galleries and museums, through an aesthetically oriented "M(Art)Worlds" strategy to strengthen consumers' in-store experiences (Joy et al, 2014).…”
Section: Defining Luxury Fashion Retailersmentioning
confidence: 99%
“…People associate the term luxury with wealth, indulgence, exclusivity and aristocracy (Chevalier and Mazzalovo, 2008). In fact, luxury fashion brands are distinguished by people as brands that are characterized by global recognition, high quality and innovation, core competence, powerful and influential advertisement, flawless in-store presentation and superb customer service (Mrad et al , 2018). Luxury fashion brands portray an image of exclusivity, premium process, image and status (Ramadan and Mrad, 2017; Ramadan, 2019).…”
Section: Luxury Fashion Brands In the Middle Eastmentioning
confidence: 99%
“…In 2018, generation Y had more spending power than the Baby Boomers. Marketers in the retail industry realize the economic power of this generation and hence are allocating higher budgets on understanding and targeting Gen Y (Lazarevic, 2012; Mrad et al , 2018). Female Gen Ys are obsessed with fashion and are considered to be prime consumers for luxury fashion brands (O'Cass and Choy, 2008; Williams and Page, 2011; Valaei and Nikhashemi, 2017).…”
Section: Introductionmentioning
confidence: 99%
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“…Managerial implications are noted; research limitations discussed, and the authors propose further research could study consumers with different demographics, as well as different levels of income to those focused upon in this study. Mrad et al (2019) undertake an exploratory study to better understand consumer reactions to the collaboration between a luxury brand and a fast-fashion brand in the UK. A number of interesting findings are indicated, including those related to previous research on 'perceived brand fit' between the brands involved, in 'that although this form of partnerships could at times have a positive impact on the luxury brands, it also raises some concerns related to respondent perceptions of luxury brands' (Mrad et al 2019, p. 572).…”
Section: Luxury Brand Managementmentioning
confidence: 99%