2014
DOI: 10.4000/articulo.2889
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From Flagship Store to Factory: Tracing the Spaces of Transnational Clothing Production in Istanbul

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Cited by 5 publications
(3 citation statements)
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“…These practices are frequently and deliberately disguised. For instance, in fashion ‘it is common practice not to let customers know where the products are manufactured’ (Ermann, 2011: 115; also, see Hagemann, 2015; Reimer, 2009; Tokatli, 2014). In the case of some Bulgarian fashion labels, this practice allows positive associations to overrule the negatively connoted relations to sites of production.…”
Section: From Geographies Of Association To Geographies Of Dissociationmentioning
confidence: 99%
See 1 more Smart Citation
“…These practices are frequently and deliberately disguised. For instance, in fashion ‘it is common practice not to let customers know where the products are manufactured’ (Ermann, 2011: 115; also, see Hagemann, 2015; Reimer, 2009; Tokatli, 2014). In the case of some Bulgarian fashion labels, this practice allows positive associations to overrule the negatively connoted relations to sites of production.…”
Section: From Geographies Of Association To Geographies Of Dissociationmentioning
confidence: 99%
“…The facades are designed in a way that reveals nothing of the building’s functions. Brand names or labels are markedly absent, doors are locked, and the buildings have no windows (Hagemann, 2015), since ‘[i]f slaughterhouses had glass walls, everyone would be a vegetarian’ (Paul McCartney, quoted in Kunst and Hohle, 2016: 759).…”
Section: From Geographies Of Association To Geographies Of Dissociationmentioning
confidence: 99%
“…Altogether different from such spaces of wearing garments are the spaces of making garments (although the makers wear garments, too). The production and supply chain form extremely complex networks across locations, and its functions are often hidden behind neutral facades (Hagemann 2015). Indeed, it is typical for fashion systems that some fashion spaces are visible, and in the limelight, while others are purposefully hidden (Blaszczyk 2013; see also Crewe 2017;Breward 2006).…”
Section: Representations Of Space Directing Dressmentioning
confidence: 99%