Abstract:Like the romance reader in Le Chevalier au Lion (Roques 1960(Roques /1982, the reader of Chrétien de Troyes's romances lives on in the manuscripts. Bridging the gap that estranges us from the irrecoverable medieval audience member, the manuscript remains the most reliable witness to the reception of Chrétien's works. Departing from the premise that circumstantial and material features of manuscript transmission of medieval literature conditioned the reader's mode of reception, this examination of major author-… Show more
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