Current and Emerging Issues in the Audiovisual Industry 2017
DOI: 10.1002/9781119384632.ch7
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From Attention to Engagement in the Battle for the Audiences

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“…Thus, audiovisual production companies will continue to ensure that the stories engage the audience and that they identify with characters and plots (Urgellés, 2017) or, in the case of news media, seek stories or cover topics that are close and relevant to the readers. In this case, perhaps knowing their opinions on the topics covered can be a way to increase engagement (Kujur & Singh, 2017).…”
Section: Discussionmentioning
confidence: 99%
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“…Thus, audiovisual production companies will continue to ensure that the stories engage the audience and that they identify with characters and plots (Urgellés, 2017) or, in the case of news media, seek stories or cover topics that are close and relevant to the readers. In this case, perhaps knowing their opinions on the topics covered can be a way to increase engagement (Kujur & Singh, 2017).…”
Section: Discussionmentioning
confidence: 99%
“…As intangible goods, media products connect with the audience's minds; the stronger the connection, the closer the identification (Mayer, 2011). In this sense, engagement is defined as the aesthetic experience produced by media products when audiences really enjoy consuming them (Evans, 2019;O'Brien & Toms, 2008;Urgellés, 2017). This pleasant experience enables users to participate in events and experiences beyond the passive consumption of contents, such as the acquisition of by-products or participation in communications with like-minded people (Fossen & Schweidel, 2019;O'Brien & Toms, 2008;Stephen & Galak, 2012).…”
Section: Literature Reviewmentioning
confidence: 99%