2014
DOI: 10.1007/978-3-319-07308-8_61
|View full text |Cite
|
Sign up to set email alerts
|

From Adaptive Design to Adaptive City-Design in Motion for Taipei City

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
2
1

Citation Types

0
10
0

Year Published

2015
2015
2022
2022

Publication Types

Select...
5
2

Relationship

2
5

Authors

Journals

citations
Cited by 9 publications
(11 citation statements)
references
References 6 publications
0
10
0
Order By: Relevance
“…This event shows that the younger generation can react with innovative ideas when facing challenges [2]. In recent years, Taiwan's design teams have been the frequent winners of international design awards, and designers' competency is witnessed and proven in the global design arena through contests [3]. These achievements are great encouragement for the younger generation and living proof of Taiwan's successful design education system.…”
Section: Introductionmentioning
confidence: 95%
See 3 more Smart Citations
“…This event shows that the younger generation can react with innovative ideas when facing challenges [2]. In recent years, Taiwan's design teams have been the frequent winners of international design awards, and designers' competency is witnessed and proven in the global design arena through contests [3]. These achievements are great encouragement for the younger generation and living proof of Taiwan's successful design education system.…”
Section: Introductionmentioning
confidence: 95%
“…The intersection of 'design driven innovation' and 'humanity in arts' is the core value of products. Lin et al [3] pointed out that in the knowledge economy era, the interconnection between culture and industry is increasingly close. c. Sci.…”
Section: Taiwan's Design Developmentmentioning
confidence: 99%
See 2 more Smart Citations
“…Thus, the emphasis of design has shifted "from Function to Feeling", "from Use to User", and finally "from High-tech to High-touch" [12][13][14]. In discussing the respective demands of consumers and product designers, Lin et al [15] argue that in the evolution of the cultural and creative industries based on the 4C model (Creative, Cheerful, Collective, and Cultural), the emphasis of consumers has gradually shifted from physiological needs to aesthetic experience, while the emphasis of product designers has gradually shifted from function to experience, and is now in the process of shifting to culture, a process in which the 4C model is taking on a twin stage consisting of humanities and technology, beginning with creativity, and proceeding to enjoyment, choice, and culture, as shown in Figure 1 [11,15].…”
Section: Literature Reviewmentioning
confidence: 99%