Abstract:María de Zayas's works have long been the object of study by scholars, but most serious inquiry has been focused on her prose. Not until recently has her production as a dramaturga become a matter of study in its own right. Her only known comedia, La traición en la amistad , has been analyzed from various perspectives, but no critic has defined precisely what is meant by "friendship," an important topic not only in the work, but in sixteenth and seventeenth-century literature in general. In this paper, I argue… Show more
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