Abstract:This article offers an original reading of six contemporary cinema and television adaptations of Frankenstein by arguing that the creature's depiction reveals three previously unheralded narratives of posthuman embodiment. Collectively, these engage with—and, often, subvert—the culturally dominant filmic reading of the creature as monstrous, while also displaying an urgent engagement with the ethical concerns around modern technophilic science, particularly synthetic biology. Posthuman monster narratives are, … Show more
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