2018
DOI: 10.21659/rupkatha.v10n2.23
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Frankenstein’s Avatars: Posthuman monstrosities in Indian science fiction cinema

Abstract: This paper engages with 'Frankenstein' as a narrative structure in Indian popular cinema, in the context of posthumanism. Scholarship pertaining to monsters/monstrosity in Indian films has generally been addressed within the horror genre. However, the present paper aspires to understand monstrosity/monsters as a repercussion of science and technology (S&T) through the cinematic depiction of Frankenstein-like characters, thus shifting the locus of examining monstrosity from the usual confines of horror to the d… Show more

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Cited by 10 publications
(2 citation statements)
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“…One example may be differences in consumption of media where robots are portrayed in particular ways. In recent years, this includes popular movies in India such as Enthiran [10], which may have had higher exposure in younger people. Future research will need to investigate the effects of media consumption and robot attitudes in more detail.…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…One example may be differences in consumption of media where robots are portrayed in particular ways. In recent years, this includes popular movies in India such as Enthiran [10], which may have had higher exposure in younger people. Future research will need to investigate the effects of media consumption and robot attitudes in more detail.…”
Section: Discussionmentioning
confidence: 99%
“…For that purpose, the Frankenstein Syndrome Questionnaire (FSQ) [9] was chosen, given its breadth of coverage of relevant facets related to positive as well as negative attitudes towards robots. Additionally, much of the recent media exposure in India has been around humanoid robots, such as in popular movies [10], and the focus of the FSQ on humanoid robots thus appeared most adequate for this study. Since most previous work using such robot acceptability scales has been conducted largely in Japan and selected Western countries [6], the present study also serves as a much-needed exploration of such scales in a different cultural context.…”
Section: Introductionmentioning
confidence: 99%