Frank Gehry: roofing, wrapping, and wrapping the roof

Hartoonian, Gevork

doi:10.1080/13602360110114759

Cited by 4 publications

(2 citation statements)

References 2 publications

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“…Several art criticism studies on ReadyMade works included interpreted meanings that were ambiguous (Goldsmith, 1983;Molesworth, 1998), disordered (Goldsmith, 1983;Scanlan, 2003), contradictory (Smuts, 1997) and puzzling (Moffitt, 2001). Moreover, Deconstruction works are exemplified by free-form structures (Iyengar et al, 2006;Schober et al, 2010), organic shapes (Giovannini, 2004), and even montages of fragmented forms (Hartoonian, 2002). Gerlach et al (2004) reported that such distorted structures for the identification of objects may activate areas in the posterior region of the brain; this phenomenon most likely reflects the use of the structural description system in models of object recognition.…”

Section: Introductionmentioning

confidence: 96%

An event-related potential study of semantic style-match judgments of artistic furniture

Lin¹,

Wang²,

Cheng³

et al. 2011

International Journal of Psychophysiology

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Section: Introductionmentioning

confidence: 96%

An event-related potential study of semantic style-match judgments of artistic furniture

Lin¹,

Wang²,

Cheng³

et al. 2011

International Journal of Psychophysiology

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“…Higgins claimed that a "building in which construction is made subservient to and whose chief glory is color, whether obtained by painting the surface, or by incrustation with precious and colored material, cannot be architecture at all, in the proper sense of the word" (Higgins 1853: 722-24, 743-44)-His opinion was supported by an anonymous reviewer in 1853, who claimed that by focusing on the ornament rather than structure, Ruskin made the "same mistake as it would be to describe the coat instead of the man, sometimes not even the coat, but the buttons and braid which cover it" (Anonymous 1853: 467, 514-15, 602-4 6. Fora discussion of the connection between Semper and current architectural practice, see Hartoonian (2002 and and Quinn (2006). Semper's illustrations of knotting, weaving and braiding in "primitive" cultures have been revived in current practice.…”

Section: Notesmentioning

confidence: 99%

Tectonic into Textile: John Ruskin and His Obsession with the Architectural Surface

Chatterjee

2009

TEXTILE

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T his paper considers the architectural writings of John Ruskin (1891Ruskin ( -1900. an important architecture, art and social critic in Victorian England and interprets his preoccupation with surface ornament. The paper reveals that, for Ruskin. architecture was a living entity. His idea of life was influenced by Thomas Carlyle's philosophy of clothes, according to which the human soul was more important than the body and it could be expressed only through clothing. Ruskin translated this notion into an architectural theory. He believed that the soul of architecture was contained in the veneer of decoration that concealed the exterior walls. In addition, he argued that the composition of the decorative veneer exhibited qualities of dresses and textiles. This article terms this as Ruskin's theory of the adorned "wall veil." It argues that this was the motivation for his interest in the architectural surface. The article counters the claim that Ruskin's writings were unarchitectural or, in other words, unconcerned with space, structure and function. It argues that the theory of the adorned wall veil attempted to shift the ontological identity of architecture. It also contributed to the nineteenth century debates on architectural ornament and dress.

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Generative AI-powered architectural exterior conceptual design based on the design intent

Shi,

Seo,

Cha

et al. 2024

Journal of Computational Design and Engineering

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In the architectural exterior design domain, design intent is usually expressed by textual design intent [e.g., client needs, architectural language (AL)] and non-verbal design intent (e.g., sketch). However, existing generative AI-based methods for automated architectural exterior conceptual design can only use the general image description as the prompt. Thus, despite its potential, existing generative image AI cannot produce appropriate design alternatives that meet various design requirements. Enabling automated architectural exterior conceptual design requires solving two problems: teaching the AI model to understand textual design intent and allowing generative AI to combine textual design intent with non-verbal design intent. The study aims to propose an automated architectural exterior conceptual design approach by incorporating domain-specific prompting strategies and sketch-to-image synthesis into fine-tuned generative image AI models. In the proposed approach, textual design intent annotations (including client needs and AL) are added to architectural images and general image description annotations. Web crawler and ChatGPT automatically extract design intent-related annotations from online sources for famous architectural works that are used as training images. The constructed dataset is then used to fine-tune a generative AI model [i.e., Stable Diffusion (SD)] via the Lora algorithm, teaching the AI model to understand textual design intent. Also, ControlNet is used to control the generation process of the SD model to enable the generative AI to reflect the design intent expressed by the sketches. The proposed approach is validated by comparing generated images from our approach with those from two existing models. The results show that the proposed method can successfully generate architectural exterior conceptual design images that fulfil the requirements based on the architectural design intent. The proposed approach is expected to streamline and facilitate time-consuming and demanding iterative processes during a conceptual design phase.

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Frank Gehry: roofing, wrapping, and wrapping the roof

Cited by 4 publications

References 2 publications

An event-related potential study of semantic style-match judgments of artistic furniture

An event-related potential study of semantic style-match judgments of artistic furniture

Tectonic into Textile: John Ruskin and His Obsession with the Architectural Surface

Generative AI-powered architectural exterior conceptual design based on the design intent

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