Abstract:In June 1954, Eunice Kathleen Waymon performed on an Atlantic City stage for the first time under the name Nina Simone. This performative self-creation is mirrored in the structure and lyrical content of one of her best-known songs, “Four Women,” in which each verse features Simone singing as a different woman. By examining the similarities between the varying accounts of Waymon’s transformation into Simone, and by conducting a close reading of Simone’s performances of “Four Women,” it is possible to understan… Show more
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