“…Fourth, while the haptic clothing is a personal device, using this in social settings and combining it with other sensors (e.g., a magnetic compass in Nagel et al, 2005) creates countless possibilities for different social interaction scenarios, from passive, like in a new type of cinema, to active, as in a participatory theater. Finally, our work contributes to the fields of teleoperation and embodying new bodies and objects (e.g., Hohwy and Paton, 2010), expanding the notion of one's current physical body when having a subjective feeling of being "robotic" or "fluid" as in Kurihara et al (2013), and also to limb prosthetics (Wijk and Carlsson, 2015), where full body haptic metaphors may help as a novel sensory substitution strategy.…”