Based on ethnographic research in Puerto Iguazú, an Argentine town bordering Brazil and Paraguay, this article explores how journalists maneuver between stories for, on, and off the record to maintain a locally valid boundary between law and crime. Journalists occupy a multifaceted position in the Iguazú community: as residents, they often participate in the informal circulation of legal and illegal goods across the border; as cultural producers, they create representations about it. Coverage relating to informal trade depends on local schemes of legality and legitimacy that juxtapose the rights and rules for those living in this small border community with national legislation, which disadvantages the remote town and serves to obstruct cross-border exchanges. Due to the discrepancy between local understanding of legality and national laws, many potentially newsworthy illegal exchanges are not addressed in the media. On the border, where consensus regarding the legality and legitimacy of many common practices is unstable, this article shows how local news production plays an important part in determining what is legal, illegal, legitimate, or illicit. [legality, legitimacy, media, border, Argentina]
For the Record: A Journalist with a CameraZooming in on a landmass across Río Paraná, the camera moves past an abandoned convention center and focuses on a green and yellow landmark, a monumental version of the border demarcation signs found throughout Latin America. Its colors blend with the surrounding Brazilian subtropical jungle. As the camera swiftly turns in a clockwise direction, it pans over Río Iguazú and the lush vegetation, barely spotting another marker: painted in sky blue and white, an obelisk built in 1903 to celebrate Argentine national sovereignty. Finally, as the camera glides further to the right and returns across Río Paraná, it captures a red, white and blue Paraguayan signpost, rising tall above the river port."We will share the experience of crossing by boat from Puerto Presidente Franco, Paraguay to Puerto Iguazú, Argentina," comments the voice behind the camera. "Unique in the world: three countries, two rivers." Two journalists and I present our documents to a man in a checkered shirt sitting on the rocks by the river. When earlier that morning we took a bus across the Tancredo Neves Bridge from Argentina to Brazil and then across the Puente del Amistad [Friendship Bridge] uniting Brazil and Paraguay, migration control did not stamp our passports, so we could not get departure stamps either. Money for the tickets can be paid for in any combination of currencies: Argentine pesos, Brazilian reais, or Paraguayan guaraníes. We gather our fares and board the ferry.The journalist with the camera records every minute of the trip. Then she briefly turns off the device as she approaches an acquaintance. "Esteche! What are you doing here?