“…These creative excursions have been going on for decades and include: using existing fiction in scholarly work (Czarniawska, 2006(Czarniawska, , 2008Rhodes and Brown, 2005), autoethnographic accounts (Ellis and Bochner, 2003), the development of creative non-fiction or semi-fiction (Caulley, 2008;Gutkind, 2009;Ketelle, 2004;Vallant, 2005;Whiteman and Phillips, 2006), research-based narrative fiction (Lewis, 1959;Rolfe, 2002;Rowland et al, 1990;Schmidt, 1981;Spindler, 2008;Vickers, 2006aVickers, , 2010Whiteman and Phillips, 2006), poetry (Clarke et al, 2005;Furman, 2006a, b;Glesne, 1997;Poindexter, 2002;Richardson, 1994;Szto et al, 2005) as well as other creative, imaginative, and artistic representations that have included the use of art (Finley and Knowles, 1995), imagination (Harold, 2003), and photography (Szto et al, 2005). Such ventures have been intended to engage people in the process of considering other peoples' truths and viewpoints while firing all of our imaginations (Goodin, 2000;Harold, 2003;Rowland et al, 1990;Spicer, 2010). These offerings make a distinctive contribution to scholarship (Spindler, 2008), while flexing our minds and sparking our curiosity-perfect vehicles for management learning.…”