2017
DOI: 10.1017/apa.2017.15
|View full text |Cite
|
Sign up to set email alerts
|

Finding the Good in Grief: What Augustine Knew that Meursault Could Not

Abstract: ABSTRACT:Meursault, the protagonist of Camus's The Stranger, was unable to experience grief at his mother's death—and was in fact condemned for this inability. Should Meursault's inability to grieve be pitied, or should it be welcomed inasmuch as grief is a painful and highly distressing experience? With the assistance of Augustine's remarks on grief in his Confessions, I argue that Meursault's plight is to be pitied. The emotional pains of grief are genuine and cannot be recast either as masochistic pleasures… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
4
0
1

Year Published

2021
2021
2022
2022

Publication Types

Select...
5

Relationship

1
4

Authors

Journals

citations
Cited by 7 publications
(5 citation statements)
references
References 15 publications
0
4
0
1
Order By: Relevance
“…I nonetheless suspect that disorientation is likely to always occur in at least those profound cases that I am concerned with here. 5 The recent work of Cholbi (2017Cholbi ( , 2019 provides a useful starting point. Cholbi's primary concern is with the complex process of grief as a whole, rather than the self-regarding component of disorientation that is (often) involved in, and one specific emotional component of, grief.…”
Section: Disorientation and Habitual Navigationmentioning
confidence: 99%
“…I nonetheless suspect that disorientation is likely to always occur in at least those profound cases that I am concerned with here. 5 The recent work of Cholbi (2017Cholbi ( , 2019 provides a useful starting point. Cholbi's primary concern is with the complex process of grief as a whole, rather than the self-regarding component of disorientation that is (often) involved in, and one specific emotional component of, grief.…”
Section: Disorientation and Habitual Navigationmentioning
confidence: 99%
“…Grief may appear to be an experience focused on endings: the ending of a loved person's life, the ending of a relationship, the ending of expectations about a shared life together. However, the "continuing bonds" approach to grief, which is widely accepted among psychologists and has in recent years been endorsed by various philosophers of grief (e.g., Higgins 2013;Norlock 2017;Cholbi 2019), tells us that rather than grief involving the severing of one's relationship with a loved one, it instead often involves the continuation of it in an adjusted form. This approach builds upon the idea that grief is in some sense a continuation of love (e.g., as has been expressed by Solomon [2004]), and the framework is made plausible by first-person accounts that indicate feelings of continuation of one's relationship as well as behavioral evidence that people engage in activities aimed at sustaining one's relationships with the dead.…”
Section: Introductionmentioning
confidence: 99%
“…And, more generally, neither do I want to suggest that whenever the bereaved subject experiences the loss of a possibility previously sustained by the deceased, they experience a part of themselves as missing. Even if Cholbi is correct that grief is invariably for those with whom we have “identity constituting relationships” (Cholbi, 2017, p. 99) not every possibility previously sustained by someone who we have lost will be central to our self‐conception. For instance, Amy might have thought of herself as sociable and friendly, but not as especially competent at everyday tasks and thus feel diminished by her experience at the party in case 2, but not by her trip to the supermarket in case 1.…”
Section: A Structural Account Of the Profound Absence Experiences Of ...mentioning
confidence: 99%
“…For example, Cholbi argues that the good of the grief process is that, in disclosing “aspects of our personalities and practical identities” it can yield self‐knowledge. (Cholbi, 2017, p. 102) and Goldie argues that it is in virtue of the narrative structure of the grief process that its heterogenous elements hang together. (Goldie, 2012, p. 69).…”
mentioning
confidence: 99%