Finding Early America at Princeton

Howarth, W. D.

doi:10.25290/prinunivlibrchro.67.1.0125

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Inspiration From Traditional Chinese Painting1

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2024

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“…It was not until Masson was forced into exile in the United States as a result of World War II that his knowledge of Oriental art was further developed, and it was at the Boston Museum of Fine Arts that he came across a large number of Chinese paintings of the Song dynasty, which he could not help but admire for the true "halo of silence" that emanated from them 5 . "Thanks to this life of exile, I was able to open my eyes in Boston.…”

Section: Inspiration From Traditional Chinese Paintingmentioning

confidence: 99%

Oriental Consciousness in André Masson’s Automatic Paintings

Qian

2024

SHS Web of Conf.

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André Masson has long been regarded as a representative figure of surrealist and automatism painting, but a closer look at his works makes it easy to find a dialogic nature with ancient Chinese calligraphy and painting. Influenced by Breton's concept of automatic writing, his works also draw on Chinese ink paintings of the Song Dynasty, abandoning perspective and playing the important role of white space. This paper tries to sort out the lineage of the emergence of Oriental consciousness in Masson's automatic paintings and explains the specific expression of Chinese painting in his art.

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Section: Inspiration From Traditional Chinese Paintingmentioning

confidence: 99%

Oriental Consciousness in André Masson’s Automatic Paintings

Qian

2024

SHS Web of Conf.

View full text Add to dashboard Cite

show abstract

Finding Early America at Princeton

Cited by 1 publication

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Oriental Consciousness in André Masson’s Automatic Paintings

Oriental Consciousness in André Masson’s Automatic Paintings

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