2015
DOI: 10.15448/1980-3710.2015.1.20543
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Financiamento coletivo no cinema brasileiro: um panorama a partir da plataforma Catarse

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“…Whilst Domínio Público's collaborative approach to funding is clearly one dependent on platforms and practices associated with digital culture, it can also be understood, in Brazil and elsewhere, as a response to dissatisfaction with the mainstream cultural and audio-visual funding milieu, as well as the reduced availability of resources (Sørensen 2012). In Brazil, crowdfunding has become a viable option for funding low-budget, alternative film projects (Valiati and Tietzmann 2015). Domínio Público's filmmakers were inspired by the success of In crowdfunding, a film's potential audience is not just vital for funding the film, but also for disseminating the project and mobilizing other potential funders.…”
Section: Domínio Público As An Internet Phenomenonmentioning
confidence: 99%
“…Whilst Domínio Público's collaborative approach to funding is clearly one dependent on platforms and practices associated with digital culture, it can also be understood, in Brazil and elsewhere, as a response to dissatisfaction with the mainstream cultural and audio-visual funding milieu, as well as the reduced availability of resources (Sørensen 2012). In Brazil, crowdfunding has become a viable option for funding low-budget, alternative film projects (Valiati and Tietzmann 2015). Domínio Público's filmmakers were inspired by the success of In crowdfunding, a film's potential audience is not just vital for funding the film, but also for disseminating the project and mobilizing other potential funders.…”
Section: Domínio Público As An Internet Phenomenonmentioning
confidence: 99%