“…Trailers12k YouTube URLs of the trailers, IMDb URLs of the posters, metadata, frame-level and clip-level trailer representations extracted as described in Section 5, poster representations and evaluation splits are all publicly available at the dataset website 3 , as well as in Zenodo 4 .…”
Section: Postermentioning
confidence: 99%
“…(b) Video Structure: Since trailers are summaries generated from movies, their spatio-temporal structure is much more complex than HAR clips. Movies use a complex composition for storytelling [3]. The most elemental unit is the frame, a still image.…”
Section: Dissimilarities Between Imagenet/kinetics and Trailers12kmentioning
“…Trailers12k YouTube URLs of the trailers, IMDb URLs of the posters, metadata, frame-level and clip-level trailer representations extracted as described in Section 5, poster representations and evaluation splits are all publicly available at the dataset website 3 , as well as in Zenodo 4 .…”
Section: Postermentioning
confidence: 99%
“…(b) Video Structure: Since trailers are summaries generated from movies, their spatio-temporal structure is much more complex than HAR clips. Movies use a complex composition for storytelling [3]. The most elemental unit is the frame, a still image.…”
Section: Dissimilarities Between Imagenet/kinetics and Trailers12kmentioning
“…In film, a shot is a series of frames representing an uninterrupted period of time between two cuts [12]. A match cut is a transition between a pair of shots that uses similar framing, composition, or action to fluidly bring the viewer from one scene to the next.…”
Figure 1. Three example match cuts where the framing of the subject is matched: (left) Forrest Gump (1994), (center) Up (2009), and (right) 2001: A Space Odyssey (1968).
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