Numerous studies of visual interpolation have been reported, especially in the context of meter reading (e.g., Bartlett, Reed, & Duvoisin, 1949;Carr & Garner, 1952;Chapanis & Leyzorek, 1950). Typically, the results have been that the errors that occur are towards the ends of the scale, except possibly for stimuli very near the end of the interpolation interval.Henry (1893, 1895) and Pillsbury (1894) found a similar tendency in the localization of touches on the arm and hand, for which errors were typically towards such anchor points as the wrist, elbow, and knuckles. In a heroic experiment, Boring (1915) found analogous errors for the distance inside the esophagus from the throat to the stomach, where electric shocks were typically located much too near to the throat or the stomach.It does not appear that the interpolation effect has been studied for active touch. In the experiments reported here, we have examined visual and tactile interpolation in two dimensions of a dot or bump on a rectangular card, the unidimensional tactile interpolation of a bump on a thin rod, and the visual and tactile perception of the orientation of a radius of a semicircle. This latter may be considered an interpolation in the angular interval from 0 deg to 180 deg.In some ways, the visual part of the orientation experiment replicates part of a study by Jastrow (1893), which indicated that angle estimation was subject to a pattern of errors similar to that later found for linear interpolations. The visual part of the experiment involving dots on cards was a replication of part of a study on anchoring (Taylor, 1961) and the brass rod experiment was a hitherto unpublished preliminary study for that same paper.Both Gibson (1962) and more particularly Katori and Natori (1967) have pointed out that tactile perception is akin to visual perception but only if the touching is active. Further, Katori and Natori have shown that if the touching is restricted appreciably, the method an observer uses to redraw a figure perceived visually differs from the method he uses to reproduce even an actively touched figure. If touching is free, and particularly if it is two-handed, the observer tends to use the same drawing technique for reproducing felt and seen patterns. In the experiments reported here, the observers were free to use any touching method they liked, provided it did not involve the use of explicit measuring devices such as fingertip spread. If Gibson and Katori and Natori are correct, we should expect the results for touch to be similar to the results for vision.
EXPERIMENTS Experiment 1. Dots Placed on CardsSubjects. The eight Ss were selected for handedness, half being right-handed for writing, half left-handed. There were four housewives, three men approximately 20 years of age serving in the Canadian Armed Forces, and one male member of the professional staff of DRET.Stimulus materials. The stimuli consisted of 3 x 5 in. high-quality index cards that were ruled on one side. Owing to the accuracy of measurement required, we attempted ...