2015
DOI: 10.1353/bio.2015.0007
|View full text |Cite
|
Sign up to set email alerts
|

Fictional Transits and Ruth Ozeki’s A Tale for the Time Being

Abstract: Focusing on Ruth Ozeki’s A Tale for the Time Being , this essay engages the transits between the fictional and the autobiographical by deploying notions from narratology, including a proposal regarding the difference between “fiction” and “the fictive,” reflections on metatextual performance, and the idea of the implied author.

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1

Citation Types

0
2
0

Year Published

2017
2017
2023
2023

Publication Types

Select...
6
1
1

Relationship

0
8

Authors

Journals

citations
Cited by 19 publications
(3 citation statements)
references
References 10 publications
0
2
0
Order By: Relevance
“…By naming the character Ruth, Ozeki reminds readers of her presence as the author behind, which helps to build a connection between her and readers. As suggested by Davis, there are textual clues that invite us to link her to Ozeki, conflating the figure of the person in the writing process and in daily life [7]. With further reading, readers would find that character Ruth not only bears the same name with the author, but also shares extremely similar life experiences with her, hence the usual covert awareness that character is an artificial construct becomes overt [8].…”
Section: Ozeki's Reader: Authorial Audiencementioning
confidence: 99%
“…By naming the character Ruth, Ozeki reminds readers of her presence as the author behind, which helps to build a connection between her and readers. As suggested by Davis, there are textual clues that invite us to link her to Ozeki, conflating the figure of the person in the writing process and in daily life [7]. With further reading, readers would find that character Ruth not only bears the same name with the author, but also shares extremely similar life experiences with her, hence the usual covert awareness that character is an artificial construct becomes overt [8].…”
Section: Ozeki's Reader: Authorial Audiencementioning
confidence: 99%
“…The autobiographical references abound in the novel and have been the subject of critical attention (Davis 2015;Lowell 2018). Rocío G. Davis considers the novel "a scavenger hunt" where the fictive and the real are interlocked (Davis 88).…”
Section: L2 Eating the Strangers: Cannibalistic Hospitality In A Tale For The Time Beingmentioning
confidence: 99%
“…Hendry 2013;Pflug 2014;Ty 2013), or very generally attributed to recent trends in autobiographical fiction without considering the matter on a broader scale (cf. Davis 2015).…”
Section: Introductionmentioning
confidence: 99%